How about some on-set photos of the original A NIGHTMARE ON ELM STREET?
Thursday, September 14, 2017
A NIGHTMARE ON ELM STREET- BEHIND THE SCENES
How about some on-set photos of the original A NIGHTMARE ON ELM STREET?
Monday, September 4, 2017
Wednesday, August 30, 2017
RIP GEORGE A. ROMERO/TOBE HOOPER
Guys, in the past few weeks we've lost two giants in the world of horror- George A. Romero and Tobe Hooper. They're only two of the most ingenious and original horror film makers of all time, contributing such legendary films as NIGHT OF THE LIVING DEAD, THE TEXAS CHAINSAW MASSACRE, CREEPSHOW, and POLTERGEIST, just to name a few.
George A. Romero's NIGHT OF THE LIVING DEAD was a game-changer, kids. Released in 1968, it changed the face of horror movies forever. It was low-budget, bleak, and violent- NOTLD told audiences that "safe" horror movies of the past were forever gone. Horror was now dangerous, dark, and gritty. NIGHT OF THE LIVING DEAD is a perfect time capsule of the tumultuous 60's as America was smack dab in the middle of the Vietnam War, racial tensions, the counterculture, and so forth.
NIGHT OF THE LIVING DEAD, with its low-budget and grainy filmstock, almost seemed like a documentary to audiences of 1968, and completely shocked the world with its graphic depictions of corpses rising from the dead to devour the living. Audiences had never seen anything like NIGHT OF THE LIVING DEAD before, and it quickly and rightly so became a cult classic and a Halloween staple. This weird, low-budget fright flick would pave the way for another nightmare that would become just as infamous in its own right. That film was called THE TEXAS CHAINSAW MASSACRE...
Released in 1974, Tobe Hooper's masterpiece of horror, THE TEXAS CHAINSAW MASSACRE, hit theaters. I can absolutely say that this is hands down the scariest movie I have ever seen in my life. It's just so twisted and disturbing- like NIGHT OF THE LIVING DEAD, it seemed as if we were watching a documentary or a snuff film. Both movies had completely unknown actors, both shot on cheap film, and both told simple yet absolutely terrifying stories. Based on the story of Ed Gein, TTCM is unrelenting and can still reduce a jaded viewer to cold sweats today. It's that powerful of a film. You believe every single frame of this movie, and that's a testament to director Tobe Hooper who absolutely makes the most of his camera and actors. The late Marilyn Burns gives a bravura performance, by the way- she's fantastic.
The brilliance of THE TEXAS CHAINSAW MASSACRE is that there's actually very little blood and gore to be found in the film- it's all mood, tension, and camerawork. Gunnar Hansen is absolutely the stuff of nightmares here, as one of horror's biggest icons was introduced to audiences in the form of Leatherface- yes, before Michael Myers, before Jason Voorhees, before Freddy Krueger- Leatherface was haunting our nightmares. Even today it's a hard film to sit through. That's the power of Tobe Hooper.
Most directors might hit a home run once in their careers and it's a rare occasion to live up to or surpass that home run- but George A. Romero went and did that exact same thing ten years after his ground-breaking masterpiece NIGHT OF THE LIVING DEAD terrified and shocked the world. 1978's DAWN OF THE DEAD continued the story of NOTLD as it told the story of how the undead have taken over the country with only a handful of survivors left in a shopping mall, of all places.
Romero ups the ante here though, as the film's graphic violence is now presented in full color, and with the help of horror effects maestro Tom Savini, present some truly nightmarish scenes of gore. DAWN OF THE DEAD went through the fucking roof when it was released, and was immediately branded a masterpiece of horror. Just like the original, we are treated to wry social commentary, on top of some outlandish gore effects.
Both NIGHT OF THE LIVING DEAD and DAWN OF THE DEAD are immensely important horror films that forever cemented the name of George A. Romero in the annals of horror history.
As if introducing the world to THE TEXAS CHAINSAW MASSACRE wasn't enough, Tobe Hooper went on to deliver two more iconic frightfests. In 1979, after the immensely successful adaptation of the Stephen King novel CARRIE, Hooper brought SALEM'S LOT to the small screen as a television mini-series, which would go on to frighten anyone who caught it both on tv and video.
SALEM'S LOT offers the scariest vampires ever put on film, period, and I'd easily put this made-for-tv film not only in the top ten best Stephen King adaptions of all time, but also one of the best horror films of the 1970's, period. Reggie Nalder's lead vampire Barlow is the stuff of nightmares, and who could ever forget the little vampire boy floating outside the window?
In 1982 director Tobe Hooper teamed up with Steven Spielberg to deliver one of the most famous haunted house movies of all time with POLTERGEIST. Even though the film was rated PG and has Spielberg's touch all over it, the brilliance of Tobe Hooper shines through, and POLTERGEIST easily went on to become a bona-fide horror classic.
Hooper and Spielberg crafted some truly iconic scenes here- that damn clown and the infamous line "They're here..." instantly come to mind. POLTERGEIST is one of the most beloved horror films from the 1980's, and it's easy to see why. Tobe Hooper did it right, kids.
These two giants of the horror genre will certainly be missed, but their contributions speak for themselves. A director is lucky to deliver a classic horror film once in his or hers career, but these guys made it look effortless and did it a few times over. So RIP George A. Romero and Tobe Hooper- you may not have been immortal yourselves, but the nightmares you gave us will live on forever.
George A. Romero's NIGHT OF THE LIVING DEAD was a game-changer, kids. Released in 1968, it changed the face of horror movies forever. It was low-budget, bleak, and violent- NOTLD told audiences that "safe" horror movies of the past were forever gone. Horror was now dangerous, dark, and gritty. NIGHT OF THE LIVING DEAD is a perfect time capsule of the tumultuous 60's as America was smack dab in the middle of the Vietnam War, racial tensions, the counterculture, and so forth.
NIGHT OF THE LIVING DEAD, with its low-budget and grainy filmstock, almost seemed like a documentary to audiences of 1968, and completely shocked the world with its graphic depictions of corpses rising from the dead to devour the living. Audiences had never seen anything like NIGHT OF THE LIVING DEAD before, and it quickly and rightly so became a cult classic and a Halloween staple. This weird, low-budget fright flick would pave the way for another nightmare that would become just as infamous in its own right. That film was called THE TEXAS CHAINSAW MASSACRE...
Released in 1974, Tobe Hooper's masterpiece of horror, THE TEXAS CHAINSAW MASSACRE, hit theaters. I can absolutely say that this is hands down the scariest movie I have ever seen in my life. It's just so twisted and disturbing- like NIGHT OF THE LIVING DEAD, it seemed as if we were watching a documentary or a snuff film. Both movies had completely unknown actors, both shot on cheap film, and both told simple yet absolutely terrifying stories. Based on the story of Ed Gein, TTCM is unrelenting and can still reduce a jaded viewer to cold sweats today. It's that powerful of a film. You believe every single frame of this movie, and that's a testament to director Tobe Hooper who absolutely makes the most of his camera and actors. The late Marilyn Burns gives a bravura performance, by the way- she's fantastic.
The brilliance of THE TEXAS CHAINSAW MASSACRE is that there's actually very little blood and gore to be found in the film- it's all mood, tension, and camerawork. Gunnar Hansen is absolutely the stuff of nightmares here, as one of horror's biggest icons was introduced to audiences in the form of Leatherface- yes, before Michael Myers, before Jason Voorhees, before Freddy Krueger- Leatherface was haunting our nightmares. Even today it's a hard film to sit through. That's the power of Tobe Hooper.
Most directors might hit a home run once in their careers and it's a rare occasion to live up to or surpass that home run- but George A. Romero went and did that exact same thing ten years after his ground-breaking masterpiece NIGHT OF THE LIVING DEAD terrified and shocked the world. 1978's DAWN OF THE DEAD continued the story of NOTLD as it told the story of how the undead have taken over the country with only a handful of survivors left in a shopping mall, of all places.
Romero ups the ante here though, as the film's graphic violence is now presented in full color, and with the help of horror effects maestro Tom Savini, present some truly nightmarish scenes of gore. DAWN OF THE DEAD went through the fucking roof when it was released, and was immediately branded a masterpiece of horror. Just like the original, we are treated to wry social commentary, on top of some outlandish gore effects.
Both NIGHT OF THE LIVING DEAD and DAWN OF THE DEAD are immensely important horror films that forever cemented the name of George A. Romero in the annals of horror history.
As if introducing the world to THE TEXAS CHAINSAW MASSACRE wasn't enough, Tobe Hooper went on to deliver two more iconic frightfests. In 1979, after the immensely successful adaptation of the Stephen King novel CARRIE, Hooper brought SALEM'S LOT to the small screen as a television mini-series, which would go on to frighten anyone who caught it both on tv and video.
SALEM'S LOT offers the scariest vampires ever put on film, period, and I'd easily put this made-for-tv film not only in the top ten best Stephen King adaptions of all time, but also one of the best horror films of the 1970's, period. Reggie Nalder's lead vampire Barlow is the stuff of nightmares, and who could ever forget the little vampire boy floating outside the window?
In 1982 director Tobe Hooper teamed up with Steven Spielberg to deliver one of the most famous haunted house movies of all time with POLTERGEIST. Even though the film was rated PG and has Spielberg's touch all over it, the brilliance of Tobe Hooper shines through, and POLTERGEIST easily went on to become a bona-fide horror classic.
Hooper and Spielberg crafted some truly iconic scenes here- that damn clown and the infamous line "They're here..." instantly come to mind. POLTERGEIST is one of the most beloved horror films from the 1980's, and it's easy to see why. Tobe Hooper did it right, kids.
These two giants of the horror genre will certainly be missed, but their contributions speak for themselves. A director is lucky to deliver a classic horror film once in his or hers career, but these guys made it look effortless and did it a few times over. So RIP George A. Romero and Tobe Hooper- you may not have been immortal yourselves, but the nightmares you gave us will live on forever.
Tuesday, August 22, 2017
JAWS 2
I'll never understand why so many horror movie fans seem to disregard the JAWS movies as not being "true" horror movies, whatever the hell that means. The original JAWS terrified millions of people around the globe- even people living in Kansas for God's sakes! If that's not a scary movie, then I don't know what is, kiddos.
A sequel to one of the biggest blockbusters of all time was inevitable, I suppose- but I'm not going to re-hash the millions of things that's been said about JAWS 2 over the years. Yes, we know it wasn't Spielberg directing this time- nobody could compare to him anyways and Jeannot Szwarc does a damn fine job with the material and makes it his own and that is THAT. I love the original film, and it would be virtually impossible to replicate Steven Spielberg's style and techniques.
Jeannot Szwarc obviously paid attention to what made the first film work so well and wisely brings some of that to the sequel. JAWS 2 certainly had a lot to live up to, but it's foolish to compare the two. The film has faults to be found, sure- the pace could be a bit tighter in parts and the residents of Amity seem to have dreadful memories except good ole' Chief Brody, but overall JAWS 2 is a damn near perfect summer fright flick.
Spare me moans and groans about the script- we watch JAWS 2 (and JAWS 3-D and JAWS: THE REVENGE, for that matter...) for one reason only. We want to see a Great White terrorizing folks, plain and simple. And this film delivers that in spades.
I love how most of the main cast of the first film returns, and it's downright fun to re-visit Amity again. Pesky film snobs love to make fun of the special effects of these films, but they look far better and more realistic than anything you'd find in ANACONDA or DEEP BLUE SEA, that's for sure.
JAWS 2 has many great, memorable scenes that rival anything found in the original- the two divers discovering the Orca at the first of the film, the infamous water-skiing scene, the burnt shark rising up to almost devour an unconscious Mike Brody, and the climax of course. Not to mention hands down one of the greatest taglines in all of film history- "Just when you thought it was safe to go back in the water.."- brilliant is all I'm saying.
JAWS 2 was cool and scary enough to be featured just as prominently as the original in the wonderful TERROR IN THE AISLES, and all you wacky horror nerds out there be sure to look for a very young Bryan Norton, who appears in a small role.
I love this movie. I think it definitely holds its own and has carved its own niche in the annals of horror, and seems to be growing a rather loyal fanbase over the years, which is always great to see. Now there have been some pretty good recent shark movies- I for one enjoyed the first OPEN WATER, THE REEF, and THE SHALLOWS- but they ain't no JAWS 2, guys. C'mon. When I was a kid I rented these damn movies all the time and the JAWS marathons were just as special to me as a marathon of HALLOWEEN, FRIDAY THE 13TH, or THE AMITYVILLE HORROR. Plus the trailer is kick ass.
Wednesday, August 16, 2017
ANCHORWOMEN IN PERIL!
One of the more popular tropes of the early 80's slasher film heyday was the always-dependable anchorwoman in peril thrillers. It made perfect sense churning these things out as the plots basically wrote themselves- a perky, usually opinionated protagonist finds herself squaring off against either a crazed stalker or a deranged chauvinist which always culminates in an oh-so-satisfying wham-banger of a climax. And boy were there some goodies in that bunch, too.
THE SEDUCTION, from 1982, is probably the most well-known of the AIP slashers. Starring the white-hot Morgan Fairchild as popular anchorwoman Jaime Douglas alongside hunky Andrew Stevens as her mad stalker Derek, THE SEDUCTION is endlessly entertaining on many levels.
For one, it's actually a solid little thriller. A slasher-lite, if you will, but still oddly creepy thanks to Steven's go-for-broke performance as Derek. Say what you will about the acting chops of La Morgan, but one cannot deny that when she's on the screen, you simply can't take your eyes off her. The film is also a bona-fide camp classic, even blessing us with Dionne Warwick warbling the title tune, Lord help us.
Morgan's actually pretty good in the film, tbh, and holds her own against the creeper Derek. 80's icon Colleen Camp appears as Jamie's bff, and she's always a delight. A true cult classic, THE SEDUCTION made enough of an impact to be featured in the delicious 1984 frightfest TERROR IN THE AISLES.
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Sunday, August 13, 2017
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