After the failure of the much-hated yet very underrated HALLOWEEN 3: SEASON OF THE WITCH, the powers-that-be knew (or thought they did) that they must bring back Michael to satisfy the hordes of blood-thirsty movie-goers in the late 80's. Which really doesn't make sense, as by then the slasher genre was pretty much dead anyway. APRIL FOOL'S DAY, from 1986, was a clever tongue-in-cheek satire of those hoary slashers of the early 80's, seeming to already know the genre was on its way out. And, by the mid-to-late 80's, the NIGHTMARE ON ELM STREET and HELLRAISER films had ushered in a new dimension of supernatural terror. Jason Voorhees was having a hard enough time keeping up with the changes in horror, so why they felt compelled to resurrect Michael Myers is honestly beyond me.
Now it was the 10th anniversary of the original so I'll give them that.... but still. Nothing against Michael Myers- he's my favorite slasher. I can't praise the first two HALLOWEEN films enough. But I truly feel the story had been played out by this point. I've said many times before and I'm saying it again- I feel they should have still forged ahead with the whole HALLOWEEN anthology films after killing off Michael in Part 2, which was the original plan in the first place. Those two films alone would have been a great contribution to the classic slasher genre. But oh no. Nothing pisses me off more than seeing a good horror icon being milked to death until it reaches a point of utter absurdity- it's happened to Dracula, Frankenstein, and countless others. And it happened to Michael Myers when some noodle-head decided it would be cool to bring him back to life.This is when the HALLOWEEN films jumped the shark, in my opinion. Not the third one. This one. HALLOWEEN 4: THE RETURN OF MICHAEL MYERS starts off promising- the opening credits are quite effective. So good, in fact, that nothing else in the entire film lives up to those first few minutes. A wonderfully sinister atmosphere is established with the credits and the score that really captures the spirit of the season, but don't get your hopes up, kids. All hopes are shattered once the story begins. And it goes a little something like this.
And what is up with the current residents of Haddonfield? You would think after the events of the first two films, that it wouldn't take an act of Congress to get them the least bit concerned about the return of the masked killer. It seems to take practically the entire movie to convince them they are in any sort of danger. Snore. Fifth- does nobody remember the ending of HALLOWEEN 2? Laurie shot out Michael's eyes, right before Dr. Loomis blows the hospital up, remember? I suppose I should find some solace in the fact that the awesome Donald Pleasance returned for this dreck, but I couldn't help but feel slightly embarrassed for him the entire time.
Now I'm completely in the minority here, and perfectly willing to accept that.I used to think I was the only one who loved HALLOWEEN 3, but the film is a bona fide cult classic today. I still find the third film to have far more creativity and actual intelligence involved- whereas this one is just re-hashing somebody else's original ideas to capitalize on the 10th anniversary of the first film. HALLOWEEN fans vehemently love and defend this sequel- and that's fine. But it's just not HALLOWEEN to me. The absence of John Carpenter, Debra Hill, and Jamie Lee Curtis is glaringly obvious, and probably is a large part of my dislike for this movie. And this is just NOT Michael Myers either- it's somebody pretending to be him, and badly at that. He is about as scary as Richard Simmons, honestly. And what's up with the hair on this mask? In some scenes he resembles a manic Neil Diamond.
P.S.- the original movie poster is pretty awesome, I will give it that!
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